Digital Exercise

After the digital failure I mentioned in my last post, I felt like there was a blatant gap in my skill set. It seems like everybody who is anybody can paint digitally these days. Back in school when I had my first digital painting class, I thought my work was on par with my fellow students. However, I ended up focusing more on traditional media and my peers who kept up with digital painting are now killing it, while my skills are sadly wanting.

So, I decided to practice (they say that is how you get better at things). I dug up an old piece of reference and just started making an image. To start with, it felt as digital painting always does for me—like I’m fighting the pixels. They just don’t do what paint does and I spend time trying to wrangle my tools rather than focusing on making a good image.

Then with time, I started to work out a process by which I could reasonably control what was happening on the screen. By the time I finished this piece I felt I was doing alright at this digital painting business. Of course, that is when I saw the latest digital piece Miranda Meeks, one of my old classmates from BYU, had made…. and I decided to go buy a big panel to do some oil painting 🙂

Here is my digital exercise:

Digital study of woman by Jameson Gardner

Below is an animation of some of the stages of progress. I decided before finishing it off (above) that she was leaning too far forward, so I tilted her back and then did the background.

Animation of progress on Digital Practice

Painting a Princess

Graphite sketch of princess with decorative french hood. By Jameson GardnerI’ve been drawing and painting again (bet you wouldn’t have guessed). I wanted to do a queen or princess with a kindof renaissance feel. I’ll admit right up front this isn’t supposed to be a historically accurate period piece. I guess it would be more of a historically inspired fantasy piece. Using a combination of some headdress references i found on Pinterest, a vintage photograph (for her face) and my own imagination I figured out the gist and went ahead and started drawing. It wasn’t for a client, so I didn’t plan it all out in detail—I just wanted it to have a certain feeling. I did the drawing on a some paper that I inherited from my grandmother. I’m not sure how old it is, but it had definitely yellowed and even has a little bit of foxing starting to show up. That is right—the image above is not just a bad scan with smudges, that is the actual color of the paper.

Originally I was thinking to achieve the feeling I wanted I would use watercolor. I got attached to the drawing though. I wanted to keep it, and decided to print a copy to mount and paint. Unfortunately, I get impatient and wasn’t willing to wait 4 days and pay extra to have it printed really nice. I ended up with decent copy from a copy shop (I made them print it on my paper, which helped a lot). I mounted it on a masonite panel being careful to preserve the top surface so that it would absorb my paint. Just in case, though, I tested some water with a brush on my backup copy and determined that no matter how much fixative I used, the ink was not going to hold fast if it got good and wet.

Plan B: I coated my carefully preserved top surface with matte medium and broke out the oil paint.

Progress on oil painting of princess by Jameson Gardner

I started with a wash of Burnt Sienna and Ultramarine and lifted some highlights out of that before I went to town on the opaque parts. It is 11 x 14″ so she has a 3 inch face. I know some people are great at painting small but this is right on the verge of being too small for me so keep that in mind while you judge 🙂

I used a very limited palette Burnt Sienna, Yellow Ochre, Ultramarine, and White. You can get lot out of just a few colors and it is way easier to feel unified. I tend to do some transparent washes at the end to unify things even more as well. You’ll notice the blue of her blouse, pretty bright above, is tempered by some Burnt Sienna in the final below.

Oil painting portrait of princess by Jameson Gardner

I tried to be transparent where I could and let it just fade away rather than paint up to the edges. I also decided not to paint a background and just let my original wash show. This was all to try to keep it in line with my original vision. I’m pretty happy with the result but I feel like I lost the quality of the graphite drawing in her face in a way that I wouldn’t have with watercolor.

To get a high resolution image I took multiple photos in segments and merged them in photoshop. I let photoshop do it and—as usual—the old girl didn’t catch the vision of how to bring things out proportionally. So I did it manually. When finished I wanted to double check to make sure I hadn’t skewed or stretched it. I overlayed the digital file of my original drawing, which lined up pretty much perfectly. That is when I had the thought that maybe I could get closer to my vision by bringing back some of the pencil over the top. All it took was that drawing on a couple of transparency layers and there it was 🙂

The original painting still looks pretty good (even better in real life) but I think the pencil overlay version really matches what I wanted to share. So, here it is:

Fantasy/Renaissance Princess by Jameson Gardner Art

Is that cheating? Well if you belong to some kind of purist traditional school, yes definitely. But, let’s face it, these days the fact that I drew it on paper with an actual pencil and then painted with actual paint probably puts me closer to those purists than to a lot of what is being produced in the digital world.

I hope you enjoy! I’m considering making prints of this—if you’d like that, leave a comment, head over to my Website and shoot me an email, or contact me through my Etsy shop to let me know so I can see what kind of interest there is. Thanks 🙂