Since the icebergs are finished, I’ve been painting the backdrop. Unlike my previous image with the dock, this backdrop will play a greater visual role in the scene. It includes the seal hunting schooner from the story. There have been some challenges painting it. The backdrop is 18″ wide, and therefore, decently sized for a portrait or something. However, the ship turns out to be a little small for my painting style. I think it will do, but it got pretty uncomfortable at times.
Below is a quick test shot with the icebergs. I still have to work out the lighting, the snow on the bergs may need some cooling. If I can’t do it with light, I might just have to whip out the paint.
Writing that made me want to try overlaying cooled versions of the bergs over the originals in photoshop. I only spent a couple minutes at it, but it definitely comes closer to my vision. I’ll be keeping that in mind for the final shots.
Now that we are back from our little adventures, I am back to work on the iceberg scene. I have been building the set and was finally able to sketch the schooner onto my backdrop to take a few composition photos with the icebergs. If you haven’t been following, the icebergs were cast from resin in my own custom plaster molds.
I just finished building the backdrop, which is more or less seamless, so that once I add the ice flows around the base of the bergs, I will only need to paint the backdrop and let forced perspective do it’s magic.
The backdrop panels are masonite attached to a pine frame. I shaped the curve in the lower panel by giving it a hot bath for a couple hours and letting it dry in a form. I plan to have the final photos for this shot by the end of the week.