Total Eclipse 2017

Like many of you, I travelled into the path of totality to view the August 2017 North American eclipse. We’ve all heard plenty about it, so I won’t go on and on. However, I’ve tried to describe the event and always seem to fall short. The pictures and videos that so many across the country have taken help, but their was more to the experience. The corona was more brilliant. The atmosphere was more gauzy. And, the feeling of awe simply cannot be conveyed.

I viewed the eclipse through a pair of regular eclipse glasses as well as some 20×60 binoculars fitted with filters.

I shot a timelapse with my Canon 6d and a 50mm lens and no filter. I shot photos with my Canon Rebel t3i and a 300mm lens with a solar filter, except during totality and a minute or so after (with live view, not looking through the viewfinder).

Here are the images I managed to capture.

Stages of 2017 total eclipse ©James Gardner shows various partial eclipse stages as well as corona, diamond ring and emerging crescent.This is a composite of various shots taken with the 300mm lens in sequence. The top row were shot with a solar filter and the bottom without.

This is the time lapse.

 

2017 total eclipse corona ©James GardnerHere is the corona. You can see a little chromatic aberration caused by the lens. Unlike some of the shots that include some direct light from the sun’s surface and therefore create flaring effects through the lens, the patterns of light seen here appeared to be inherent to the corona.

 

2017 total eclipse corona ©James GardnerThis one I’ve over exposed slightly to show detail on the outer edges of the corona.

 

2017 total eclipse corona, enhanced to show more detail ©James GardnerThis one I digitally enhanced to show a little more detail of the patterns in the corona. The quality of the image suffers for it, though.

 

2017 total eclipse diamond ring ©James GardnerHere is the “diamond ring” the suns surface peaking out is what creates this effect. It was so much brighter that even with maximum shutter and aperture stopped all the way down it was still blown out in a largish area. On the other hand using the solar filter at this stage would only show a tiny blip of surface with no corona or diamond ring. I think having an ND filter on hand for this shot would have improved it. But, that would be just another thing to be fiddling with while you missed the experience 🙂

 

2017 total eclipse emerging crescent ©James GardnerHere, you can see the faint ring and emerging crescent shape as the surface of the sun poked out more. Again, that crescent area was so bright that it is blown out. in reality the crescent at this stage was awfully thin.

 

2017 total eclipse solar viewer ©James GardnerThis one is exposed to show something like what was visible through eclipse viewing glasses.

 

2017 total eclipse valleys and mountains ©James GardnerHere I’ve cropped in on the last image I took before totality. If I had removed my filter prior to this shot it would have shown the “pearl necklace” effect. I did not. It was my first total eclipse. You can see how the light is interrupted by irregularities in the moons surface.

Despite the traffic and travel, the experience was completely worth it. If I manage to make it to another I think I’ll try to be prepared to capture more of the images I like, while having even more time to enjoy the event.

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Standard Bearer

I wanted to add something with a sort of fantasy battle bent to my portfolio. The concept was a warrior carrying a standard or banner behind which an army could rally and charge. Initially, I intended to work in watercolor and then make some digital enhancements. Justin Gerard is a great example of an illustrator who often works this way. Justin’s work has a sort of whimsy that I wasn’t really looking for, though, and I made the mistake of also looking at some fully digital work from Blizzard projects and things like that. I started covering more and more of the watercolor underpainitng with digital, but still trying to leave some of the texture showing through. The result was turning into a horrible hybrid that did no justice to any of the styles, or concepts that inspired it.

This is one of those instances where I hesitate to share some of the images from this process. But, since I make fun of people on social media who only share the best parts of their life, and only the most flattering photos of themselves, here goes.

First up the Drawing and watercolor underpainting.

Underpainting and drawing for Standard Bearer painting

Next is my first pass of digital “enhancement”. At this point I was realizing that I hadn’t done my drawing and underpainting large enough and with enough detail to leave this much of it showing.

First pass digital

I started adding more and more digital color etc. But I wasn’t willing to go full opaque digital, I was still trying to keep texture and color from the underpainting—I was also having a hard time forcing myself to zoom in and get the details right.

Failed attempt at digital painting standard Bearer

Like I said it all turned into a frustratingly horrible hybrid that made me wonder how I ever thought I could make art. I then decided to give it one last try. I would go back to the physical watercolor painting, seal it, and paint the whole thing in oils. There were definitely some draw-backs to this. The texture of the paper wasn’t may favorite, and I was limited by the original scale. But, at least it was a medium that sort of makes sense to me.

First sections of Standard Bearer painting in oil

I immediately felt a little better when I put down the stylus and picked up a paintbrush.

Oil painting of Standard Bearer charging into battle. By Jameson Gardner

Like I said, texture and scale were limiting, but I feel like this is 147 times better than my digital attempts. I learned some important things from the experience. First, pick a style and stick with it (at least for the course of one painting). Next, if you want to do all Justin Gerard you need to draw and paint at a scale where you can get all the detail. If you want to go all Blizzardy you need to be willing to go full out opaque digital. I’m not giving up on that either, I’ve been practicing my digital painting skills and have already produced some studies that are more appealing than where this project was going. Maybe I’ll post one of those next.

Colorado Part 2: Subjects of Opportunity

I rarely find myself making plans for a photo shoot. In fact, the only times I really have were for magazine article and cover shoots for the BYU Universe, my own engagement photos and illustration reference shoots. Otherwise I’m usually taking photos of opportunity. I like to have my camera with me, and if I see something I like I can stop and get it. That of course is what all my photos from my Colorado cabin vacation were. I actually had some half baked plans about visiting certain places when the light was just right. However, I didn’t do any of those things. But I did carry my camera and shot what I liked.Night photo of the Milky Way among trees. By Jameson Gardner

I’ve been wanting to get some star photos for awhile now. But living in a light dome, as most of us do, It meant driving 3 or 4 hours to make it worth it. I hadn’t gotten to it when vacation time rolled around. So, my first subject of opportunity, once we got out of the light pollution and up to 10,000 feet, was the stars. My methods may have been a little unconventional, but then if you get the image you want, is there a right way?

I didn’t want to be maxing out my ISO and getting noisy or having my shutter open too long and have the stars turning into little lines. So I used my fastest lens and also used it on the lowest stop to get the most light. I think I ended up doing f1.8 with a 10 or 15 second exposure. That meant less noise and faster exposure, but also that my foreground elements wouldn’t be as sharp, and my field of view was limited. I did a bunch of expirementing, including using other lenses etc. Once I knew the view I wanted, I did two parallel columns of 4 shots and stitched them together manually (photoshop just doesn’t get it quite the way I want). This solved both the field of view problem and also when viewing the full image, the depth of field issue with the trees isn’t really an issue at all.

View of valley up Hall's Gulch, Colorado. By Jameson Gardner

This one (above) was also a panoramic stitch. We came across this view while on our way up Halls Gulch. I wanted better resolution on the details and less distortion than my 18-55mm was offering. so I went for the 50 again. I’m not real big on going crazy with processing. If you’ve read my other posts you know that I sometimes feel that editing way beyond what was really there can be dishonest and detract from the actual beauty of that scene or person as well as from the truly amazing moments that don’t require you to drag a bunch of sliders etc.

I do like to make sure that the values and colors are at least as good as they looked to my eye, though. It is amazing how the human eye can automatically adjust when focusing on a slightly different areas of what you are looking at. A camera can only output a single exposure (though, raw data is great because it records more and lets you be flexible in post) and that is often the culprit when you look at something and say “wow that looks great”, then take a picture and think “at least it did in real life” (composition is the other half of that coin). These clouds are a great example. In my image above, they look pretty much like they did when my eyes focused on them at the time. However, if I had exposed for that, the landscape would have been way off. So I got my best all-around exposure and then made adjustments after stitching.

The Artists Father by Jameson Gardner

Next up, my Father. I shot this while he was relaxing on the cabin porch. There isn’t a  whole lot to tell other than that the lighting was good, and my mom thinks he needs a new hat. But, the men out there know that it isn’t so easy to replace a good hat.

Alpine Outcropping by Jameson Gardner

This outcropping is another example of what I was saying before. I saw it and thought, “wow that is perfect.” but it didn’t come off quite the same until I was able to make some adjustments.

Elk Skull at Ruins of Miners Cabin. By Jameson Gardner

And finally, this skull. We found this near the crumbling ruins of an old cabin while hiking. I believe it belonged to an elk. Like my father this one didn’t take much. I just bent over took a photo and it came out nice 🙂 I hope this, like the others, really just captures a moment and a feeling. Stay tuned for my final installment of Colorado vacation photos, in which I will be sharing some artifacts.

Colorado Part 1: Rocky Mountain High

John Denver sang about a rocky mountain high. Of course there are always nitwits who hear the word “high” in a song from the 70’s and dismiss it as a drug thing. These days Colorado has plenty who are willing to hop on that train. But, anyone who’s bothered to spend a little time away from it all, and I don’t mean on a crowded beach or a ski resort where you use the wifi in the lodge, will understand a little of John was talking about—The wonder of the earth and sky. A place where the air really is clean (and thin) and you can see the clouds of stars that are up there, not just the few pinpricks you get back home.

I returned recently from a vacation in Colorado. We spent 12 days at 10 or 11 thousand feet in a log cabin that my grandparents built. It is in the mountains between Pitkin and Tincup and is the type of place where you get your water from a spring, your heat from a wood-stove and when you need to use the facilities you make a short trek to the outhouse.

I have enough photos from this trip that I’ll have to break it into a few parts. Part 1 will try to give a feel for the nature of the area.

View from upper bowl area looking up to ridge. By Jameson GardnerThey’re called the Rocky Mountains, but the rockiness becomes much more distinct the higher you get. The shot above is right around the timberline looking up to the ridge that tops the mountain on which the cabin is located. Below is a stream on the same mountain but at the cabin’s elevation.

Stream among trees in Rocky Mountains of Colorado. By Jameson Gardner

Cumberland Pass  12,00 Ft elevation. By Jameson Gardner

This one is from Cumberland Pass. My first photo in this post is taken looking up the other side of that ridge in the distance. Below is a 360 degree panoramic from on top of that ridge. I put the panoramic together from 25 full resolution portrait orientation shots. It might be overkill knowing that most people will only see it on this blog in web resolution and when iPhones can do a cute little panoramic with a lot less work. But, there is just something nice about knowing I could print it 8 ft long at 300 dpi without even scaling it up 🙂

360 degree panoramic of Cumberland pass area from adjacent ridge. By Jameson Gardner

Fox in the Rocky Mountains. By Jameson Gardner

Here is a little fox who came sneaking around sometimes to see if we had any leftover food. He was cautious, but not afraid. I had to make some squeaking noises just to get him to hold still and look at me while I snapped this.

In addition to hiking and exploring, I spent some time throwing my tomahawk. I’ve created and uploaded a little video of that for your viewing pleasure. Hope you enjoy, I also hope it makes people think twice about breaking into my house 🙂

Of course while at cumberland pass I also had to take a “selfie”, made possible only by the little fish eye attachment that screws onto my lens. Cute huh?

Jameson Gardner selfie at Cumberland Pass

Last are some pretty little alpine ponds fed by springs from, you guessed it, that ridge featured in all my other photos.

View looking over ponds at the treeline to vista beyond. By Jameson GardnerI think what John Denver is saying in that song is that reconnecting with the earth and the beauty that is out there gives you a kind of high that no chemical can. Just make sure to stay hydrated or you could end up with a splitting headache more akin to some kind of Rocky Mountain Hangover.

 

Sunset At the Lake

I was about to write a little rant about HDR photography, but I’ve decided to save it until I have some images with which to illustrate my points. There are plenty of “good”, “bad” and “why?” HDR images to be found online. But, I figure I might be taken more seriously if I prove I can produce some of each myself. So for today, I’ll just be sharing a few shots from an evening by the lake.

A couple gulls head home for the night. By Jameson Gardner

My parents are bird watchers, I am more of a landscape and cloud watcher. Naturally when they invited me on a walk by the lake with them, they looked at birds and I tried to get photos of mountains, dirt and whatever else was around. I did find myself framing some shots and wishing an interesting subject would plop down in them. Alas, nobody sailed by in a boat, walked up in their hipster garb or trotted past on a horse. Even the seagulls kept their distance 🙂

Gull feathers litter the shore of Utah Lake at sunset.

I ended up with some plain old landscapes, a few shots of myself and an abandoned tire.  The one above is actually a composite of two exposures of the same frame. Basically I’m just simulating a graduated neutral density filter to get detail on the shore without blowing out the sky. It’s the only shot to which I’ve really done any editing. Everything else is pretty much as shot, with the exception of bringing up the shadows  just a titch on me and the tire. I don’t really believe in making things artificially vibrant or saturated etc. Stay tuned in the future for my HDR rant 😉 I was actually a little surprised by how naturally blue the water seemed at that angle and in contrast to the sky. I guess I am just used to looking down at it from the benches at which vantage it usually looks brownish, greyish or at best light blueish.

I hope you’ll all forgive the lens flares—though, what do you expect when we are pointed right at the sun?

Sunset at Utah Lake by Jameson Gardner

An abandoned tire on the shores of Utah Lake at sunset. By Jameson Gardner

I also took a few panoramic sequences. This one below is the only that I’ve stitched so far. Photoshop’s photomerge tool is helpful, but I often find myself fixing things or doing big chunks manually when merging more than 4 or five images. Photoshop can also lose track of things if there are areas of busy detail or which lack distinctive landmarks. I could have achieved this one in two shots with a wider lens, but there is something about knowing that I could make an enormous print at full resolution which appeals to me (even though I’ve never had a reason to do it). Go ahead and click on this one to get more of the panoramic goodness 🙂 It’s been scaled way down for the web, but should still be fun.

panoramic image of Utah Lake and Wasatch Range. By Jameson Gardner

Black and White Photos

I carry my camera with me fairly often even if I don’t have plans to shoot anything. It seems like it always turns out to be those times when I don’t have it that I see something of which I really want to get a picture.

It happened like that the other day. I was on my way home from an appointment, when I saw some beautiful interaction between light, clouds and mountain peaks. Luckily, I wasn’t far from home. So, I rushed there grabbed my stuff and jumped back in the car. I missed some of what I saw on my way home, but I still got some pleasing shots.

Clouds envelope snowy peak by Jameson Gardner

Interestingly, despite the pretty red light that bathed Timpanogos and Baldy, I convinced myself to go black and white with these—Maybe I’m just wishing I could be Ansel Adams. Hope you enjoy.

Moon among clouds over big Baldy. By Jameson Gardner

Mountain slope shows through window in  clouds. By Jameson Gardner

Clouds skirt around Mount Timpanogos. By Jameson Gardner

The Land of Enchantment

New Mexico: The Land of Enchantment. My parents are from Los Alamos, so during my life, I’ve spent a lot of hours driving down to visit my grandparents in New Mexico. Honestly as a kid, I decided there were large swathes of that state that were rather less than enchanting. I think back then I had the idea that enchanting things had a lot of moss growing on them or were formerly inhabited by knights or trolls etc. I was kind of into medieval stuff more than Anasazi  or Pueblo stuff. Back then, the main appeal of Los Alamos was the lab’s connection to WWII and the atom bomb. I was happy to imagine soldiers in Willys Jeeps patrolling the canyons to make sure the Manhattan Project stayed secret. But beyond that, it seemed too dry and too sunny to be enchanting.

Then I grew up. I’m not sure if my capacity to recognize beauty increased or developed the same as my ability to appreciate the taste of bell peppers, or if I just happened to look outside in the morning instead of watching cartoons. I recently made another trip with my family to visit grandparents and I decided to take some photos trying to capture “The Land of Enchantment”.

Windmill at dawn with mist North of Espanola, New Mexico

This was taken off the highway North of Espanola when mist from the river was still clinging to the valley.

Pines in one of Los Alamos' canyons

These two are in a canyon between a couple of Los Alamos’ mesa fingers—also in the morning while the light was still low and sweet.

Plants surround path in canyon outside of Los Alamos, New Mexico

This is the valley South of Georgia O’keeffe’s Ghost Ranch home. I always wondered why she would move from New York to somewhere dry and kind of desolate. But I guess this is why, it makes you feel free. It’s also not always so desolate as it seems.

Valley across from Georgia O'keeffe's Ghost Ranch home.

Cliffs North of Georgia O'keeffe's Ghost Ranch home

The cliffs above are North of the Ghost Ranch.

I’ll admit this arch is not in New Mexico, it is South of Moab Utah. Still pretty cool—red rock and all, but definitely not as enchanting, is it? 🙂

Looking Glass Arch South of Moab Utah